网友有才！
🐲真是拍一部戏，就神似某个主创。
这次河边以为和余华的潦草小狗最像，到了戏外和导演的神态一模一样🤣
对艺术的欣赏是个人的，奥斯卡电影也有很多人不喜欢。希望看到有理有据的评论。内娱这种环境真的可怕，都不知应该去哪里看客观报导了。
5月底还会在法国放一周戛纳入围的影片。要是能在美国提早放就好了。
对艺术的欣赏是个人的，奥斯卡电影也有很多人不喜欢。希望看到有理有据的评论。内娱这种环境真的可怕，都不知应该去哪里看客观报导了。
5月底还会在法国放一周戛纳入围的影片。要是能在美国提早放就好了。
橘檬居 发表于 2023-05-18 13:57
小红书上看到的，既然巴黎能放，美国是不是也有希望早于国内公映？
打算在国内大规模公映，海外不会提前上映吧。
看了当时《南方车站的聚会》的情况，国内12月初上映，法国是圣诞。北美第二年三月才上。巴黎月底的放映好像是戛纳入围电影的传统。好在悬疑不是重点，就求个跟国内同期上。
网友有才！
🐲真是拍一部戏，就神似某个主创。
这次河边以为和余华的潦草小狗最像，到了戏外和导演的神态一模一样🤣
snow416 发表于 2023-05-18 13:43
还看到有人放他俩这张照片，说这俩一黑一白像二只小企鹅，斗志昂扬的
新浪报道：
电影《河边的错误》将于法国时间5月20日在戛纳电影宫举行全球首映，该片的戛纳之行可谓是备受海内外影人和影迷的关注和期待，在首映售票开启后，观影票迅速售罄，不少影迷因未能抢到票而表示遗憾，同时也对影片接下来在戛纳的表现充满期待。
https://k.sina.com.cn/article_3139712004_bb24340400101gfjs.html?cre=tianyi&mod=pcpager_news&loc=1&r=0&rfunc=82&tj=cxvertical_pc_pager_news&tr=174
本来有些担心新人影片首映人会不多，如果报道属实，首映应该还是挺热闹的。
新浪报道：
电影《河边的错误》将于法国时间5月20日在戛纳电影宫举行全球首映，该片的戛纳之行可谓是备受海内外影人和影迷的关注和期待，在首映售票开启后，观影票迅速售罄，不少影迷因未能抢到票而表示遗憾，同时也对影片接下来在戛纳的表现充满期待。
https://k.sina.com.cn/article_3139712004_bb24340400101gfjs.html?cre=tianyi&mod=pcpager_news&loc=1&r=0&rfunc=82&tj=cxvertical_pc_pager_news&tr=174
本来有些担心新人影片首映人会不多，如果报道属实，首映应该还是挺热闹的。
qianlong 发表于 2023-05-18 17:19
研究了一下，电影节的票好像基本都是秒空的。
好像有偿或免费拿到电影节许可证的都可以看电影，票放出来不多，都需要抢。
看了一片网上的戛纳科普文章，很多人就是去那里镀金走红毯做广告的，并不是真心喜欢电影，可惜他们的电影票不能让真影迷得到啦。
https://www.pingwest.com/a/188513
戛纳电影节就是世界的名利场啊。
总是忍不住为朱一龙的变身能力暗暗叫绝。
我天，金鸡颁奖礼上神采奕奕的大明星怎么就突然变成了这个8/90年代的中年敦实的基层刑警队长了呢？那种被琐碎生活和基层工作打磨过的体制内公务员的感觉扑面而来。
据说他为了角色迅速增重20斤，不说20斤不容易，他怎么做到把身上新增的肉都分配去了该去的地方啊？ 记得之前他下了戏，好好养着，也能很快长肉，但肉不少去了脸上， 圆乎乎的，非常减龄。
而这次的增重就是非常显年纪，身上臃肿了， 脸不仅没有圆润起来，还添了赘肉， 是中年大叔工作繁忙，不管理身材的既视感。 这简直跟能独立调动面部每一根青筋每一块肌肉一样不可思议，演员就是这样一个神奇的存在吗？
年代感、年纪感和角色的职业特征都非常鲜明和准确。 这时候的马哲是冷静精明的， 挺正常的一个公务员，最后又怎么会走到疯狂边缘的？ 好羡慕能够马上看到这部片子的观众。
看到微博上传的对导演的采访。英文的全部采访在这儿：
https://mk2films.com/wp-content/uploads/sites/4/2023/04/only-the-river-flows-press-notes.pdf
有关龙的几段。果然龙在那里也染上了COVID。
How did you choose and direct the actors?
As for the casting, I made quick decisions based on my impressions and intuitions. Then, I tried to give the actors time by having them arrive very early at the shooting locations. For example, Zhu Yilong, who plays Ma Zhe, arrived a little over forty days before the start of shooting. He was waiting for me to give him “secret crafts” on how to prepare, but I didn''t really have any. I just asked the local police if Zhu could accompany them on some of their investigations, and witness interrogations. He also practiced in shooting and got used to wearing clothes from the 90s. This period of preparation was also necessary for me to make adjustments based on what I observed from the actors'' behaviors. If we only tried to get everything ready on set, it would actually be too late.
Zhu Yilong''s performance is perfectly suited to the film''s style, understated and discreet, not drawing attention to his acting. But he succeeds in expressing the character''s gradual descent into darkness…
Around the middle of the shoot, Zhu Yilong said to me with a worried expression, "I''m just walking, I don''t feel like I''m acting." I told him that''s precisely what I wanted: the actor''s strength should come from within. When you force too much, the character becomes artificial. Actors often think the opposite: they fear not giving enough, or they''re afraid of disappointing and frustrating the audience. Furthermore, during the shoot, I realized that when the actor''s performance changes, the way of filming must be modified. Direction and the actor must be considered together, with the same perspective, constantly adapting to each other.
How long did the shooting take?
Just before the shoot, the COVID-19 pandemic was surging again, and the entire team had been locked down in our hotel with a prohibition on going out. It was very stressful. We had around forty-five days of preparation and approximately forty-five days of shooting. We had to pause for two days when Zhu Yilong and I tested positive.
到底了
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